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Rollei RPX 25 120 Film
Rollei RPX 25 120 Film is a low-speed panchromatic black and white film with a nominal sensitivity of ISO 25. Aside from the extraordinarily fine grain, with the Rollei RPX 25 you get great resolution and high acutance.
One of its main characteristics is a high sensitivity reserve of one f-stop. In other words, flexibility with exposure. Rollei coat The thin, silver-rich emulsion onto a crystal-clear base. The result is an excellent balance between image quality (sharpness/fine grain) and speed yield.
£10.75 Inc VAT
Out of stock
Description
Rollei RPX 25 120 Film
Rollei RPX 25 120 Film is a low-speed panchromatic black and white film with a nominal sensitivity of ISO 25. Aside from the extraordinarily fine grain, with the Rollei RPX 25 you get great resolution and high acutance.
One of its main characteristics is a high sensitivity reserve of one f-stop. In other words, flexibility with exposure. Rollei coat The thin, silver-rich emulsion onto a crystal-clear base. The result is an excellent balance between image quality (sharpness/fine grain) and speed yield.
You will find this film suitable for indoor and outdoor shots. Amongst its features are fine grain, with great sharpness. Not to mention exposure latitude between 12 and 50 ISO. You will get a rich tonal range with good contrast.
Additionally, RPX has a resolving power contrast 1000:1 = 260 lines/mm. Another benefit is the transparent base. A perfectly flat neg, great in a scanner.
To sum up, a super fine grain film with great resolution.
Additional information
| Brand | |
|---|---|
| Film Development | Black and White |
| Film Format | |
| Film Sensitivity | |
| Film Type | Negative |
1 review for Rollei RPX 25 120 Film
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Flamingoid –
I haven’t shot a sharper film than RPX 25 except microfilm maybe. And even microfilm like Agfa Copex Rapid HDP13 (which is about a full stop slower) isn’t noticeably sharper unless you enlarge your negs to absurd proportions. And RPX 25 has slightly better tones than the Agfa microfilm and its repackaged versions (e.g. Adox CMS II or Washi A). In 35mm format, it virtually rivals medium format in terms of details. In 120 format, you can’t print it big enough to begin seeing grain. It also reacts very well to filtration. Never tried IR with it but with a R1 deep red filter, you can make dramatic skies. It scans easily and can be reversal-processed beautifully at box speed. RPX 25 doesn’t look anything like RPX 100 and 400 though, it’s a lot bolder in terms of contrast. I’d give it 5 stars but it’s a bit tricky to use because of the rather limited latitude.