Description
Ilford FP4 Plus 125 120 Film
Ilford FP4 Plus 125 120 Film is a classic black and white film. It has very few rivals high quality black and white photography.
FP4 Plus has a very fine grain, outstanding sharpness and high acutance. Qualities that make this the film of choice whenever a job will demand fine detail. It will follow that you get great enlargements.
Out of the box, this is 125 ISO, medium speed. Ilford FP4 Plus 125 has become the benchmark against which to judge other medium speed films.
Another feature is the enormous latitude for exposure error, both above and below 125 ISO.
Overall, Ilford FP4 Plus 125 35mm is suitable for most photographic subjects under a wide variety of lighting conditions.
FP4 Plus is also available in 35mm and 4×5. Have a look at the other available Ilford Films.
This Is How You Shoot Ilford FP4 125
Want to see some of the different ways you can use Ilford FP4 125? We have put together some of our favourite FP4 125 shots by our customers – you can see them here.
Want to see more? Read our Ilford FP4 125 Film Review and our Ilford FP4 125 120 Film Review.
Guide To Film Photography
And, if you’re new to analogue photography, check out our Beginners Guide To Film Photography. It’s a great starting point when you first start shooting film.
Which Is The Best Film To Choose?
Have you just got hold of a film camera and not sure where to start. We have lots of films to choose from, but you might be wondering which is the best one for you? Then read our guide Choose Your Film. It will give you a good starting point and a clear idea of what the different films do.
Parallax Photographic Coop –
Alongside HP5 400, FP4 is one of Ilford’s all-time classics. It’s one of Ilford’s sharpest films, it has great contrast and will give you really high-quality negatives. We think this is one of the best black and white films you can pick. It really sets the standard for 100 ISO films. If you haven’t shot it, we highly recommend trying it out.
elvis_from_hell –
One of my favourite fair weather films, that given its flexibility I should probably shoot more of. More of a fan of this film in 120 than 35mm, I just love how smooth the graduation of tonality is.